Sarah Raymond is a writer and artist from Toronto, Ontario. Her young adult novel, Signs of Martha, comes out in spring 2011 with Great Plains Publications. Scroll on down for musings on writing, art and other perils of domestic life. Homemade drawings included.
Showing posts with label Latest Read. Show all posts
Showing posts with label Latest Read. Show all posts

Monday, December 20, 2010

Latest Read: Eating Animals


I have an uncomfortable relationship with meat. Chicken is tasty and salmon divine, yet factory farming makes my stomach queasy. Reading Jonathan Safran Foer's Eating Animals (Little, Brown and Co., 2009) didn't ease my discomfort one calorie.

Safran Foer describes his visits to factory farms with the graphic precision of an inspired novelist, which of course he is. He also turns his pen over to meat processors, farmers and activists so they can relate their experiences. He muses on his collective findings and admits to the awkward aspects of going veg, like the difficulty in sitting apart from a communal table. He doesn't mention the issue of time. Me, I covet time, and butchering each haricot vert and stalk of swiss chard takes up a lot of it. Skimming Saran off a styro-pack of chicken parts, in contrast, does not.

Trouble is, I know too much about family farming. I grew up between a dairy farm and an alfalfa field. We carried home unpasteurized milk in old Beckers jugs from the neighbours. We bought beef by the gutsy fraction--a quarter or a half a cow--from the guy down the road. We weren't trying to be ethical or local-eaters. The food was just available, affordable and tasty. Finding the same kind of products seems like a luxury now. Eating animals is complicated and uncomfortable. I can't promise what I'll be eating a year from now, but I'm soaking lentils after I post this entry.

Wednesday, November 17, 2010

Latest Read: The Astonishing Life of Octavian Nothing (Volume 1: The Pox Party)


M.T. Anderson pushes the boundaries of disturbing, fictional settings. In his novel Feed, he pitches himself into a technologically-perverse future. In Octavian Nothing, the author visits the past--the slave trade in 18th century America.

Octavian is a boy who lives with his mother at the College of Lucidity, where his tutors investigate whether their black subject can learn a classical education as well as a white one. When the men aren't lavishing Octavian with Latin and violin lessons, they terrorize him. Deliberately-inflicted smallpox ravages Octavian's home. He rebels against his owners and flees. Octavian Nothing is a coming-of-age horror, a perverse moment in history set to fiction, and a treatise on subjugation.

At my local library, Octavian Nothing is filed under teen fiction, but anyone who can stand the pain will appreciate the antiquated language and powerful story.